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Why I Flash: Shooting Cats with Flash

Musings of a Feline Foster Dad

I recently had an opportunity to participate in a Twitter chat about pet photography and people seemed to be of the consensus that flash pet photography is a bad thing. Of course there was one person in this discussion who holds the opposite opinion and that would be yours truly. Many photographers seem to be of the opinion that natural light is the way to go because it is natural.

Little Kitten using bounce flash Little Kitten using bounce flash

The problem with the whole natural light vs flash debate is camera flashes are daylight balanced so done correctly it is very difficult to determine if a light source is flash or daylight. I will admit that proper flash photography comes with a very steep learning curve and many of the people who advocate against it are those who tried it, failed at it and decided it was a bad idea.

Given that most professional…

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Tuxedo Kittens Take the Best Photos

Musings of a Feline Foster Dad

I have photographed all sorts of different kinds of cats and kittens. Short hair, long hair, domestic, pedigree and reviewing all the photos I have reached the conclusion that tuxedo kittens take some of the best photos. I was going through some of my favourite tuxedo kitten photos and I thought I would compile them into one blog post  where you could see many of the tuxedo kittens I have had the pleasure of knowing. I could do a part 2 to this if I really wanted but I will save it for another time.

I hope you enjoy the photos of the tuxedo kittens I have captured. I think these photos go so show what beautiful photos tuxedo kittens are capable of.

Take for instance this photo of little kitten Tabitha. Her face in this photo is priceless.

Kitten Tabitha Kitten Tabitha

Here is kitten Tabitha playing inside a cat tunnel…

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Models – To Bring an Escort or No?

Modelling 101 - Tips from a Zombie

For those who’ve never heard the term out of the context of ‘paying women to go on a date’, escorts are people, animals, teddy bears (etc) that models bring along to photo shoots. Models may feel the need to have an escort for security, creative directive ability, or simply to feel more at ease. Escorts have been quite the debate in this industry and I’m going to try and cover it from all sides and give my personal opinion as well. 

While this is a job, career for most, there are still a lot of ‘iffy’ situations that happen and continue to occur in the industry and that’s enough to make someone quit modeling. Instead, these models have escorts. Some clients and photographers encourage it as they know it will give the model a sense of ease during the shoot and therefore get better photos than from a model who…

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Think Like a Photographer: Introduction

What is a Photograph?

The question may seem like a a simple one but if you are going to think like a photographer you first need to start with the basics and work from there. A photograph is a still image of a subject captured with a camera and rendered in a print form. What I just said would be a good definition of a photograph if you are a scientist. However we are interested in thinking like photographers not scientists so let’s try a better definition.

A photograph is a visual story. That is the definition of a photograph we will concern ourselves with. Typically many new (and even experienced) photographers get so hung up on the technical side of photography that they forget what they are doing and that is to tell a story. Photography at its core is an art form and an art form seeks to engage the senses. We can buy all the gear we want, learn every Photoshop command and take all the photography courses in the world but at the end all we want to do is tell a story.

Best selling books will sell books because they tell compelling stories with a mastery of their language. Compelling photographs tell compelling stories with their compelling subjects, composition and technical details. If a photograph is done properly people will be remember it without having to see it again. Some of the most compelling photographs are not the best technically but present subject matter so compelling we can remember it because of the stories they told.

I would urge you to remember this little bit of wisdom: a finely composed and technically superior photograph of a boring subject is still a boring photograph.

What is a Photographer?

If a photograph is a visual story then a photographer is a visual story teller. A photographer needs to understand all the different elements of a successful photograph and how to bring them together. Ultimately we not only want people to understand our story but why we are telling it in the first place. We as photographers need a purpose for doing what we do and our photographs should answer it.

If you are a portrait photographer then your photographs should say this photograph was taken to capture the subject and make them look good. Good photographic journalists take photographs that make viewers understand that the event and subject captured was captured because it was significant. Because there is always more to be done to tell a better story photographers always need to be improving their knowledge and understanding of the craft so they can put it in practise with the visual stories they tell.

How do we tell a story with a photograph?

We compose it. Composition is part visual design part technical. We need to understand both and bring both together to make our photography work. If you have spent any time practising photography then you know that this is easier said then done. Composition involves the basic shapes and colours and placement of subjects. The technical side of photography involves things like lighting, exposure, depth of field, digital editing etc etc.

For the most part this discussion is going to be limited to the visual composition of photographs and how to organize them to make compelling photographs. Most new photographers tend to skip the visual composition education and jump into learning about subjects like how to expose photographs and use their flash. As they start to get good at these subjects they start to notice their photographs are missing something they can not quite figure out and that is the visual composition.

Why do we compose a photograph?

In order to understand why we do it we need to understand the two largest limitations about photographs. The first is that a photograph is two dimensional representation of a three dimensional world. Imagine a big mountain range and now imagine it compressed into a piece of paper. The second is that the photograph is a cropped version of the world. If you want to see what is around the corner of a hallway you simply walk around the corner. In a photograph we do not have that ability.

We have to remember that when others see our photographs they are going to see them and attempt to see them as the three dimensional world we captured so we compose photographs to present things to the brain in a visually stimulating fashion. We spend a lot of time constructing photographs but we need to remember that people are going to look at them and try to deconstruct them again back into the original scene.

A good photographer is not only a visual artist but a cognitive psychologist who understands how the brain sees and interprets photographs and attempts to manipulate it into things the brain will find visually stimulating.

What makes a successful Photographic Composition?


There are a few basic elements that go into composition. The first is the placement of the subject. Do we put our subjects in the middle of the photograph, the side, top etc. The second is paying attention to the foreground and background of the subjects. The third is the visual elements such as colours, lines and shapes. All of these will be explained in greater detail later on.

Why do we need all these elements?

Because we need to add visual cues for the brain to interpret. Remember that the brain will attempt to deconstruct our image back into a three dimensional world and we are looking to give brain some cues to help it out and see the world we captured. You may find the foray into cognitive psychology a little daunting but keep in mind the ancient Greeks figured a lot of this stuff out many centuries ago. In fact a lot of what we know about visual composition is derived from the ancient Greeks.

The one thing we need to remember is that 99% of the population probably knows nothing about the elements needed to properly compose a photograph yet they know a good photograph when they see it. We can write an essay in poorly written Italian and get away with it as long as we have an audience that does not understand Italian. Photographs on the other hand transcend cultures and education levels. A well composed photograph by a Chinese photographer can be understood and interpreted by a German viewer.

What happens if we neglect these elements?

The brain will misinterpret the cues and the wrong visual story will happen. A poorly composed photograph in the pianist’s equivalent of playing Mozart with boxing gloves. So therefore we need to remember this one simple rule: No composition means no photograph.

Of course if you take enough photographs, you will eventually get lucky and end up with a happy accident (the writer’s equivalent of a million monkey’s on typewriters attempting to write Shakespeare). Ultimately we would like to move away from the happy accidents and get more into composed photographs.

Where Does Photographic Composition Happen?

It happens in our minds. Before we take a photograph we need to see something we want to photograph and have an idea of how we want to do it.

Where Do we refine our composition?

The viewfinder of the camera. We take a look at what the camera is seeing and make the proper adjustments.

Where do we enhance our composition?

Photoshop or whatever your favourite photo editor is. Even if you shoot film there is still an enhancement phase at the photo lab.

What happens when we combine our mind camera and photo editor?

We develop our photographic vision. A photographic vision is what will make you an artist and separate you from 99% of the people running around with cameras.

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Think Like a Photographer: Preface

I am really excited to announce that I have started to publish my work on Think like a Photographer. I hope to introduce the mindset you need to have to succeed in photography. I am going to be releasing the introduction tomorrow to give you an idea of what I am talking about.

I am going to start with the very basics of why photographers need to do the things we do. Later I am going to move into how to practice photography. After that I am going to introduce the basics of visual design and how to apply them to photography. After all that I will teach you how to apply the lessons learned and more importantly why you want to apply them.

I know a lot of photography introductions just throw rules at you and tell you to blindly do them like you are a soldier on parade. I aim to approach photography from the artistic side of things and place the emphasis on visual storytelling and allowing you to understand why things happen the way they do.

Hopefully by thinking more in terms of a visual story teller you can fuel your passion for photography and if you find it getting stale find a new direction to make it exciting again. The best part about focusing on story telling and visual design is you can do it with any camera so learning these skills does not require any advanced gear.

I thank you for taking the time to read and stop by and would welcome any feedback you can provide.

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A Venture Capitalist’s E-Commerce Shopping List

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CrowdBooster for Twitter

Crowdbooster a is a great app for managing your Twitter followers. You can figure out who you should drop, add and it allows you to schedule tweets for the times they are most likely to be seen. I like it and suggest checking it out.

Click here to open Crowdbooster

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